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Monday Notes

Chet Baker, Little Girl Blue. The instrument as a voice

[Monday Notes No 33] In jazz, the voice often performs like a musical instrument, e.g. Billie Holiday has been known to imitate Louis Armstrong’s trumpet. Sometimes the reverse happens and it is the instruments that try to imitate the human voice. This is what happens in Little Girl Blue, performed by Chet Baker. Help me…Continue readingChet Baker, Little Girl Blue. The instrument as a voice

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Monday Notes

Chet Baker, Do It the Hard Way. The voice as an instrument

[Monday Notes No.32] Chet Baker was a great trumpeter and singer who lived a tormented life. Addicted to drugs for over 30 years almost continuously, he went from the heights of beauty and success to the depths of desolation and degradation. Let’s listen to his interpretation of a song written by Rodgers-Hart, Do It the…Continue readingChet Baker, Do It the Hard Way. The voice as an instrument

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Monday Notes

Modern Jazz Quartet, Milano. Between classical music and Jazz

[Monday Notes No. 31] The Modern Jazz Quartet was one of the longest-running jazz ensembles on the jazz scene. John Lewis was a promoter of the third current and was pursuing a contact between European classical music and jazz.Continue readingModern Jazz Quartet, Milano. Between classical music and Jazz

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Monday Notes

Charlie Byrd and Stan Getz, Desafinado. Bossa nova becomes jazz

[Monday Notes n.30] The album Jazz Samba released in 1962 by Charlie Byrd and Stan Getz introduced Brazilian music to the jazz repertoire. Dizzy Gillespie and others had already been mixing Jazz and Cuban music since the 40’s, while Brazilian music had remained on the sidelines. Let’s listen to and analyze Desafinado.Continue readingCharlie Byrd and Stan Getz, Desafinado. Bossa nova becomes jazz

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Monday Notes

Whispering, Lionel Hampton was the first great jazz vibraphonist

[Monday Notes n.28] Like the saxophone, electric guitar and drums, the vibraphone reached the broader public through jazz music. An instrument invented in the ’20s, it was in fact popularized by Lionel Hampton, a vibraphonist hired by Benny Goodman in his quartet in the mid-’30s. Let’s listen to the two musicians playing Whispering.Continue readingWhispering, Lionel Hampton was the first great jazz vibraphonist

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Monday Notes

Nuages by Django Reinhardt, the first great European jazz musician

[Monday Notes n.27] Django Reinhardt is one of the first great jazz musicians of European origin. Born in Belgium, French by adoption but of Sinti origin, Django Reinhardt mixed his own Gypsy musical culture with French melody and jazz. We analyse one of his compositions entitled Nuages.Continue readingNuages by Django Reinhardt, the first great European jazz musician

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Monday Notes

Thelonious Monk Rhythm a Ning, a pianist beyond the mainstream

[Monday Notes n.26] Although he was one of the protagonists of the historic jam sessions at Minton’s, it is impossible to place Thelonious Monk within any stylistic current, as his music is completely personal and inimitable. Let’s look at his piece Rhythm-a-Ning.Continue readingThelonious Monk Rhythm a Ning, a pianist beyond the mainstream

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Monday Notes

Luigi Tenco, Ti ricorderai. The Italian song that turns to jazz

[Monday Notes n.25] Luigi Tenco was a unique case in the history of Italian song. He was an excellent composer but also a musician, lyricist and performer. None of his contemporary Italian songwriters had qualities comparable to his. Let us analyse his ballad Ti ricorderai.Continue readingLuigi Tenco, Ti ricorderai. The Italian song that turns to jazz

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Monday Notes

Clubhouse, Dexter Gordon is an all-too-neglected composer

[Monay Notes n.24] Dexter Gordon was one of the most original tenor saxophone voices, although he was part of the bebop movement his style is very personal. Dexter Gordon was also an original composer, but his pieces never made it into the repertoire of standards performed by other jazz musicians. Let us analyse his piece…Continue readingClubhouse, Dexter Gordon is an all-too-neglected composer

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Monday Notes

You’re My Everything, a ballad from the Miles Davis point of view

[Note di lunedì n.22] Miles Davis was the most visionary and prolific band leader jazz music has ever produced. A musician who is impossible to classify, from his debut as a bopper alongside Charlie Parker he changed styles repeatedly with exceptional results, moving through modal jazz, electric and experimental jazz-rock, to rap and pop. We…Continue readingYou’re My Everything, a ballad from the Miles Davis point of view

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