Harmony Course - part 3

For all instruments

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Fourth Year

About Harmony Course - part 3

One of the most advanced courses on our website. You will learn to understand the harmony of jazz standards, to improve your playing and improvisation skills. Starting with the harmonic analysis of a piece, you will learn to use all the different types of chords used in jazz, combined with the most suitable scales for improvisation.

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Lesson 1:  Not Completed

Tonal areas - FREE LESSON

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Modulation

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Backdoor cadence, Ellington cadence

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Secondary dominants

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Tritone substitution

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Modal interchange

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Diminished chord for modulation, diminished passing chord

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Superior harmony, tensions. 9th, 11th, 13th chords

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The dominant, part one. 7sus and 7(#5) chords

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The dominant, part two. 7(b9) and 7(b9)sus chords

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The dominant, part three. 7(#11) chords

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The dominant, part four. Superlocrian scale and altered chord.

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The dominant, part five. Semitone-tone diminished scale and 13(b9) chord

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Summary: eight types of dominant chords and related scales for improvisation

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The seven modes of the major scale

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The Dorian mode

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Phrygian mode, Phrygian dominant and flamenco scale

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The Lydian mode

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The Mixolydian mode

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Non-functional harmony

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